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ANDREA Rosins

Andrea Rosin was first introduced in 2002 as Tartini Rosin.

Tartini Rosin was quickly recognized as distinct among rosins by world-renowned string players and string lovers, leading to great demand and worldwide distribution.

In September 2005, Andrea Bang introduced an upgraded version called "Andrea", which was designed to provide even more sensitive and sophisticated sound enhancement than "Tartini."

In 2009, Cremona in America re-introduced Andrea rosin with improved performance, and a new look. Andrea Rosin is now available for violin, viola or cello in three styles.

 

"Product Of the Month"
The Strad Magazine - January 2010

The Strad Magazine

Andrea Bang

In 1935, Andrea Bang was born in Nagoya, Japan. He started violin at the age of four. When the World War II was over in 1945, he went to Korea with his father. When the Korean War broke out in 1950, he encountered permanent separation from his father. While seeking shelters at Daegu, and he was picked up as a junior member of Education Department of Korean Air Force for musical concerts for soldiers.

Seeing h is unusual talent and unceasing effort to be a great violinist, a sponsor arranged with Paris Foreign Missions so that Andrea could go to Paris for further music studies at the age of 17. In Paris, while he received various assistances from sponsors of European high society, he had a valuable chance to study under the contemporary masters such as Yanovsky and Mullican.

Andrea Bang had an unusual honor and opportunity of acquiring a gift of a genuine Stradivari 1702 from Mullican.He performed as a member of Vivaldi String Quartet in Europe, where was his main stage, and also performed in a church orchestra.

While he mixed with celebrities, he diligently performed at charity concerts for the disabled. At these charitable activities, he met many prominent people including Dr. Schweitzer. When Dr. Schweitzer saw Andrea playing on an Old Italian masterpiece, he expressed his regret that such masterpieces were gradually disappearing and that even the remaining ones were losing their ideal sound due to aging. He suggested Andrea Bang to consider working to revive the sound of classic instruments and leave the achievement onto the next generation as a cultural heritage of humanity. At that moment, Andrea decided to accept Dr. Schweitzer's suggestion and began his research on varnishes of instruments and other related subjects since then.

He traveled extensively to Guinea, Ghana, Senegal, Gabon and other African regions and various Asian countries like India and Thailand in search of the old route of ingredient trade used 200 to 300 years ago. Excrements of wild insects, tropical tree sap, spruce cones and coffee beans were some of the many ingredients he tested for the natural varnish. He believed that varnish is an important aspect for string instrument. After hundreds of failures on materials and mixing combinations, he succeeded in finding the formulas for string instrument to provide its most ideal performance. The quality of Andrea's instruments is proved well by professional musicians.

Other than working on natural varnishes, Andrea developed osmotic treatment by special natural ingredients applied to bridges, sound posts for string instruments. In addition, he developed rosins specialized by types of string instrument and performance environment to provide ideal sound in a comprehensive way.

Testimonials

Hear from your own colleagues and other world renowned musicians. Since Andrea Bang introduced this premium rosin as Tartini, we have received countless compliments from string players all over the world. We continuously appreciate your comments and thoughts.

Lynn Harrel - Cellist

“The new Andrea rosin is truly fantastic. Either Casals or Toscanini yield unprecedented fullness and brilliance of tone and different degrees of bite to suit any instrument and repertoire.

This rosin saves many hours of practice to achieve the proper articulation and sound quality. It is long lasting, applies easily and evenly and prolongs hair resilience and life. It sets a unique standard.”

Richard Yongjae O'neill Avery Fisher Career
Grant Winner, USA
Violist

“Congratulations on your wonderful achievement! Your rosin is really spectacular: it has plenty of 'bite' yet it is not coarse.

I find that the 'David' solo viola rosin is ideal for solo work, and your rosin has helped me through many concerti. I use your rosin exclusively, and I have recommended it to many of my colleagues who now use your rosin, including my former professor Donald McInnes and members of the Sejong Soloists (whom have enjoyed using it as well).

Thank you for your contribution to the string world. Your rosin is known throughout the world, and I am very lucky to have been one of the first people to use it!”

Nokuthula Ngwenyama Avery Fisher Career
Grant Winner, USA
Violinist

“ I have had a chance to try the Paganini line with violin and am very impressed with the results. I put it on a Maline bow, and the sound quality was excellent. There is no string noise, and the sound is crystal clear and articulate. Also, there is minimal caking of rosin on the strings with Maestro Bang's formula as opposed to many other types of rosin. Bravo!”

Miri Ben AriGrammy Award winning
hip-hop violinist, USA

"This is the one rosin I can use just before I get on stage that keeps my sound smooth and beautiful. No adaptation time, works right away, a must for any violinist!"

Dr. Marcin MurawskiProfessor of viola,
I.J. Padrerewski Academy
of Music, Poznan, Poland